I’m slowly climbing out of the overwhelmed single working mom hole although I have to acknowledge that I may fall right back into it at any time. Life has a thing for intently proving me wrong every time I start feeling like things are under control. But before that happens, I’m trying to get as much sewing and photographing done!
The skirt I am showing you today has been on my mind since November, I had just finished a grey wool and cashmere version of our Just Patterns Stephanie Skirt because I thought it would come in handy for the New York winter and then learned I would be relocating to Haiti within weeks. So in the midst of selling all my belongings, packing my things and my baby, I, of course, started thinking about new wardrobe options! I went on a last shopping spree at Mood, before leaving because fabric shopping in Port-au-Prince is limited. I wanted to find a cotton lace or Guipure that would enable an scalloped hem and some transparency, and I had an immediate crush on this particular fabric!
Pattern – Just Patterns Stephanie Skirt
Size – 34
I didn’t do any change to the pattern, except lengthening it by 3 inches for the lace layer and shortening the poplin underlining so that it’s a total 12″ long. I really wanted for the sheerness of the lace to show, so I kept the underlining as wanted the underlining to be as short as possible. One thing I would do differently in working with this kind of fabric would be to add wider seam allowances than just 1/2″ as it can get tricky for the “holes” part of the lace.
Fabric Lace and cotton poplin are both from Mood Fabrics in NYC
Notions The invisible zipper and hooks and eyes are from the stash.
The poplin is serged all around the edges of the lace. Although I am usually not a fan of overlocked edges, for this particular fabric it provides some needed stability the the seam allowances. Treating the poplin as an underlining rather than a lining also has the benefit of hiding the pocket bags. To create the scalloped hem, I carefully cut around the flower shapes, trying to respect the flare. Unlike some pleated skirt patterns or tutorials you sometimes find, the hem is curved because the pleats were added to a flared skirt and not to a rectangle.
What I like about this pattern (and I’m biased of course ;-)) and this particular combination with the lace is the wow effect of a relatively simple project otherwise. I’ve been thinking a lot these days about what constitutes “good sewing”, as in garments that you will enjoy wearing for the years to come. I hope to reflect and write more on this but I believe that it’s a combination of sewing things that reflect your “personal style” (although I’m getting a bit drained by all the content generated around this), good fit and good construction.
To improve our sewing skills, we automatically think about tackling more complex projects and the results can be less than great since we become overwhelmed and lack the practice. On the other hand, when tackling a less involved project, we are tempted not to dedicate as much time (in terms of seam finishes, unpicking and perfecting the topstitching, etc.) because “it’s just an everyday item”. So I decided to force myself to slow down as much as possible and try to do my best work for every garment so that my clothes stand the test of time!
The finished garment is very close to the one I had in mind so I’m very happy with the result! As you can see I played with two different styling options for the pictures. The first one with flats is a realistic version of how I wear it to the office and the second is my attempt to recreate a look worn by Ulyana Sergeenko as entry in the Pattern Review Bargainista Fashionista contest. I didn’t aim to recreate the skirt as exactly as possible but rather to transpose the feel of it into something I could wear in my everyday life. This contest has been happening for several years on Pattern Review and it’s my favorite one to enter, since copying RTW I couldn’t afford is the very reason why I started sewing. [EDIT: Unfortunately due to my terrible internet connection in Haiti, my entry did not make the deadline :-(]
Although I have been a member of Pattern Review for the last 13 years (!!), I don’t enter many contests except this one. I also have the feeling that sewing contests are not as popular as they once were. I could be only an impression though and it would be very interesting if PatternReview looked at the number of contestants over the years. What do you think? Do you participate in contests? Do you think they are still relevant?